Why The Mona Lisa May Not Be A Painting Essay - 1891 Words

When it comes to art appreciation and definition one is left at odds when societal practices do not reflect theoretically sound arguments regarding the identity of a work. On one hand, paintings like the Mona Lisa are displayed with great importance in museums around the world, with thousands of visitors daily trekking to see â€Å"the† Mona Lisa, while just outside vendors are selling copies on canvas, poster and magnet of the very same image. To help in the understanding of this phenomenon, and to determine the work identity of the Mona Lisa, we shall examine the validity of arguments put forth by Frank Sibley in â€Å"Why the Mona Lisa May Not be a Painting† which draws upon several concepts of art identity put forth by Goodman and Elgin in â€Å"Interpretation and Identity: Can the Work Survive the World?†. After this examination I will briefly add on to Sibley’s arguments bringing them a step further in conclusion, but let us first begin with the esta blishing principles of work identity proposed in the two articles. When introducing the concept of text being equal to work, Goodman proposes literary pluralism; where one text produces one work with multiple valid, and allowably contradictory, interpretations. This pluralism is present only in allographic art forms that are not linked to physical objects. â€Å"Pluralism about literature seems more plausible than pluralism about reality†. He argues that literature may have interpretations that conflict, but in the physical world one cannotShow MoreRelatedMona Lisa Research Paper1416 Words   |  6 PagesWhy is the Mona Lisa One of the Most Famous Paintings in the World? The Mona Lisa has been one of the most debated paintings of all time. The look on the face of the women in this painting leaves a person’s mind wondering. 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